Showing posts with label scifi. Show all posts
Showing posts with label scifi. Show all posts

Kurt Vonnegut - Slaughterhouse Five

I was only vaguely familiar with Vonnegut. Then, when he passed last month, I read a lot about him and heard a good segment on NPR. So when I saw this book on CD at the library, I decided to give it a whirl.

The book follows Billy Pilgrim, a private in the American Army, who becomes a prisoner of war on the German front. There is plenty of gruesome realism as his co-prisoners die for various reasons.

There is also a plenitude of surreal and ridiculous situations. The book blends science fiction with the detailed portrayal of war. Billy is, in the future, abducted by aliens from the planet Tralfamadore, who mess with his conception of time such that he periodically jumps in time through different parts of his life. So the narrative jumps from World War II, to his time on Tralfamadore, to his early years with his wife, to later periods of his life (set in some post-USA scenario) when he is trying to tell the world about Tralfamadore and the true nature of time.

I was really puzzled by the blending in of science fiction. However, after thinking about it, I think the point is that war itself is as strange a scenario as the Tralfamadoreans. The time-jumping also allowed for the revelation of character traits and other issues in a very unique way. I think it really worked for this storyline.

The climax of the book comes when the POWs are stuck in Dresden, in a bunker deep underground, and the Allied forces destroy Dresden. They come out and find a wasteland. It was pretty odd for me because I somehow thought that there were six CDs. So when I came to the end of the fifth, I thought there was more coming. Since the narrative jumped all over there wasn't the natural flow I expected.

This is the first book on CD I have ever listened too, and I think I will make it a regular thing. I have enough commute time (unfortunately) that I chewed through this 5 disc set in a week and a half. The narrator was Ethan Hawk, someone who I ordinarily am not a big fan of. Part of the reason I don't like him is his whispery, serious voice, he seems a bit of a sissy boy. But in this book it played quite well.

Children of Men

The last child was born in 2009. In 2027, most societies have disintegrated and the last bastion of civilization is Britain. A man named Theo finds himself charged with guarding a west African refugee, who has the only baby on Earth, to the coast so she can link up with "the human project", a mysterious group who will apparently help her. Unfortunately, Theo must weave his way through a web of lies and deceit among secretive groups, corrupt police, and a British government intent on expelling every foreigner, known as "fugees" (refugees).

This movie is based on a novel by P.D. James, and is one of the best movies I've seen in a long time. It is such a detailed and tragic vision of the future, and so convincingly portrayed, that you find yourself inside that world as you watch the movie.

To me the most compelling scene in the movie is when Theo rescues Kee and her child from a building in the refugee ghetto. As they leave the building, hundreds gaze at the baby with holy amazement, and then the British soldiers on the bottom floors and outside the building (who are laying siege to the building) stop their shooting and bombing to gaze on the baby as well. If only every child in the world today could have the same effect on violence... But the calm lasts only briefly, another shot comes from the building and the mayhem resumes.

I hope the odds of this specific dystopian scenario (100% infertility) are low. Still, with all the possible things that could go wrong with our world civilization, this story manages to deal with a lot of possible side effects that could arise such as xenophobia, totalitarian government, clanism, reactionary religion... And it does so in a lot more authentic way and with deeper portrayal of human behavior compared to other recent apocalyptic films like the Day After Tomorrow or Revenge of the Sith. Good scifi (and good comedy) is not really about the bizarre circumstances but about how people act in very odd circumstances, kind of imaginative anthropology. This film (and the book I expect, I will try to read it) definitely fits that bill.